All Steve wanted was to find the balls to tell the girl of his dreams how he felt.
And he finally had. Today was that day. A day engineered with no distractions. A day for just the two of them. No roommates. No cowardice. No second-guessing that the friendship they’d built over the last year wasn’t more. Today was the day his hellish existence would move into the light.
Snatched away by four simple words, Steve’s day turns dark. From one second to the next, taking his future in his hands turns to a speeding train bearing down on him.
Each day more torturous than the last, he’s forced to watch his love slumber through a dangerous experimental procedure. A procedure that has never worked. A procedure that turns her from his friend into subject 10-0-9.
When she wakes, when she finally comes to, the first to survive, Steve wants to take it all back. The nightmare he’d been living was nothing compared to this.
Twenty-four hours ago, I was a regular twenty-one year old with a regular life. Over-protective parents, annoying best mate, about to graduate from uni and start a Masters in Creative Writing.
All that changed when I witnessed something I was never supposed to see, and it got my parents killed.
As if that wasn’t bad enough, I discovered I can do magic. Not the rabbits out of top hats kind, either. I know it sounds crazy, but I’m a witch. A real one.
Now I’m on my way to a top secret training academy for supernatural assassins—known as The Covert Executioner’s Network (COVEN)—with nothing to my name except the clothes on my back, my parents’ wedding rings, and a sworn oath to avenge their deaths.
I’d say wish me luck, but I think my luck has already run out.
I really enjoyed S.W. Millar‘s The Witch’s Revenge. The Magicians meets Shadowhunter Academy, it was a ride of constant excitement. A straightforward magic system, with plenty of eggs laid for future adventures, I’m looking forward to more. Give me demons, Mr. Millar!
Henry Stone is an oft-times infuriating protagonist, but I find that true of so many main characters. Wanting to slap them is often part of the fun of reading these suspenseful adventures, and I found it true here. Lots of angst, of past trauma poisoning the present, lovers of The Dresden Files will definitely like Millar’s debut. Well-paced, The Witch’s Revenge will keep you flipping pages long after you should have gone to bed. Even after, if you’re like me, you’ll be wondering about his nuggets of reference to Camelot and sorcerers and demons…I’ll be waiting in anxious anticipation for book 2.
Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish.
Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity’s recollection of the night her family was forever altered.
Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents could devastate the already grieving father. But as Lowen’s feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife’s words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her.
This was my first Colleen Hoover novel. I really think I fell into that over-hype-ruined-my-experience experience with this one. I’d heard so much about the crazy twist, that I spent too much time trying to find it. I don’t really do that as I read. I don’t like to make reading a job, I just want to be caught up in the story and let it happen.
Still, right away, I was curious. I was eager to read. At 40%, I was in it; properly tense, flipping pages, excited to continue forward. By 65%, I was a little like, ‘okay, got it, can we move on to the next phase, please.‘ I may have done a little skimming at this point… This is where my rating fell off. When a book feels tedious to continue, for any amount of time, stars fall.
When I reached the end, I was satisfied. I hate not knowing if my less-than-5-star-review had to do with this hyped-anticipation that forced me to read with an over-analytical eye. This is why I try not to watch movie previews anymore. Ever since Terminator 2 when they ruined the big reveal by telling you ahead of time. I still haven’t gotten over that…
If you like psych thrillers mixed with romantic suspense, this is a good one. Just read it without trying to figure it all out ahead of time. Just let it come. Unless, of course, that’s your thing. If it is, I think you’ll still be in for a treat
Happy Reading 🙂
I’ve started a Facebook group to talk about books. If you have anything to say about this book or any others, come join. I am always looking for people to talk books with.Click here to join.
From my own experience and from what I often hear from other writers, there’s a tete-a-tete that happens between what we want/think our stories should be, and what the story itself has in mind. Right away, when writing KILLING GAME, that became my truth. Daniel was meant to die from the outset–this much necessary point to show Desiree the severity of her situation, and the even more daunting idea of consequence–but continued to live. Dimitri came to life to force that point when the first character refused to stick to his script. So much of that happens in so many stories I hear about. These tales have a life of their own, and any good creator allows them their necessary space.
Sometimes, an idea just isn’t that great. Sometimes, the market knows best.
I purposefully wrote Rishi’s Wish sans a real love interest. Sure, it’s one of the main points that makes Urban Fantasy what it is, but I decided I didn’t want to use it. At least not right away. I wanted this clueless girl to stumble and fall and pick herself up on her own. I wanted her to figure out that playing meek and quiet wasn’t a sure path to the right thing just falling into her lap. Does she receive help along the way? Sure. Are there those who wish they were in a relationship with her? Yes, but it’s not the main focus of the story. Not even the third focus.
Even so, reader feedback showed me these love connections are so important. While I’d wanted the romance to stay periphery, comments suggest this is an impossibility. I have team-Hamal and team-Daniel conversations frequently. Readers want Dee to fall in love.
There is a quick almost-togetherness in book 1. Hamal does pine. Daniel has doubts. Pollux shows interest. Maybe I did lay the groundwork more than I meant to…
This quote from book 1 sums up what I was trying to say. Ironically, this scene got cut:
“Careful your solitude doesn’t create emotional ties that wouldn’t exist if given other circumstances.”
-Daniel to Dee, cut scene from KILLING GAME
That’s ultimately why I never tie these characters together. I was pointing out how not real, or if you don’t like that, how situational their feelings are. Hamal is the only person Dee has ever met with who she can discuss the strange things happening to her. He’s the only person she knows that can truly help her. He’s the only one who’s ever given her any information.
When Dee is further isolated, Daniel is the only one to talk to. While she never sees him as more than a friend, her uniqueness pulls Daniel towards her. Just as that same oddity pulls everyone near her close. Is she some amazing personality people can’t help but love? Gods, no. She rarely shows her personality, so busy toeing the line, hiding, afraid someone will decide to kill her. That no one knows what to make of her, that no one knows how to interpret what they think of her, these feelings are mistaken for like, lust, and in some cases, love.
Not forever though
There is a love story intertwined here, but it doesn’t start to show its face until Born To Die. Hopefully, readers won’t be too mad at me for this, after having their hopes pegged on one or another character. Dee still has a ways to go. She still has to decide which path to walk. Not until then will she be ready to sit with someone as her partner.
Multiverse travel is finally possible, but there’s just one catch: No one can visit a world where their counterpart is still alive. Enter Cara, whose parallel selves happen to be exceptionally good at dying—from disease, turf wars, or vendettas they couldn’t outrun. Cara’s life has been cut short on 372 worlds in total.
On this dystopian Earth, however, Cara has survived. Identified as an outlier and therefore a perfect candidate for multiverse travel, Cara is plucked from the dirt of the wastelands. Now what once made her marginalized has finally become an unexpected source of power. She has a nice apartment on the lower levels of the wealthy and walled-off Wiley City. She works—and shamelessly flirts—with her enticing yet aloof handler, Dell, as the two women collect off-world data for the Eldridge Institute. She even occasionally leaves the city to visit her family in the wastes, though she struggles to feel at home in either place. So long as she can keep her head down and avoid trouble, Cara is on a sure path to citizenship and security.
But trouble finds Cara when one of her eight remaining doppelgängers dies under mysterious circumstances, plunging her into a new world with an old secret. What she discovers will connect her past and her future in ways she could have never imagined—and reveal her own role in a plot that endangers not just her world but the entire multiverse.
You had me at Multiverse.
This book really did have fabulous characters and a smart world. Cara was fun to follow, and even more fun to cheer on. After finishing this book, I wanted to go back in and see all I’d missed the first time through (it’s back on my TBR).
A great journey into what we think we’ll do for personal gain, then what we decide when family and our self-respect are on the line. Cara faces this, must decide to stay the course to earn her climb up the ladder, or risk it all to do what’s right.
And, multiverse… I know for me, there was nothing else to say.