Tag Archives: book lover

My Process

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I was all set to start releasing my new Dark Fantasy series, CLAIMING KRINKAE, when I changed my mind to wait to finish writing book 2 for a rapid release. Then, I started writing books 3 and 4 and waited some more. And then, I went back and rewrote the front 30% of book 1. You’ve seen it. Claimed by Shadows had a cover reveal over a year ago…

Apparently, my process is to start something, get about 3/4 through a first draft, go away to another project, and repeat. I do, eventually, come back around to finishing, but sometimes a year or more goes by. I keep trying to rectify this by adding clear deadlines to my calendar, with realistic word count goals that will get me there. It has helped, but I’m still all around the multiverse with my focus.

Once a draft is finally completed, it gets put aside to marinate while I complete the other drafts I started. When those are finished (sometimes closER to finished, but not quite), I go back to edits on project 1, and around and around and around. This might not be so bad if I didn’t have nine projects working. Yes, nine. Five Krinkae novels, two Magic Fade books, the final book in Rishi’s Wish, and an unnamed novel I swear will be a standalone (no, I will not promise this as fact). And that’s not all of them. There are more stories traipsing for attention in my head, many with significant word counts started. These nine are just the ones I’m ‘focusing’ on. Yeah, focus is a word I need redefined. I know.

So, while 2022 had zero published books come from my little slice of reality, it looks like five will release this year.

Part of this focus problem was my indecision to publish my YA Fantasy traditionally. Deciding not to do that has brought that project back to the top of the pile. I’m super close to a published draft I’ve finally decided to title MAGIC FADE. Keep a lookout for that four-book series to start releasing this spring… (you can sign up to be an advanced reader and get it next month here).

I know we all want that final book of Rishi’s Wish to come out. Don’t worry, Dee will get her ending. I bit off more than I could chew with my Dark Fantasy Saga. It all started because I just wanted to see if I could write a romance novel. It is the largest money generator in the publishing world, and indie authors do super well publishing in that market. Of course, I’d want a piece of that. But I can’t do something simple. My idea of merging Warcraft with Prythian turned into a multiple-character saga whose surface story spans a hundred years. I won’t even mention all the side stories spawning organically from this adventure… Let’s just say the undertaking is a lot more than I planned for. Five books to start off the main attraction, with at least three to take it to the end. And because the characters’ stories are so closely tied, I had to ensure their overlapping paths were cohesive and correct. Hence, writing four books at once.

Through all this chaotic excitement of jumping universes, plotting has become a friend of mine. Do I still struggle with vomiting thousands of words I have to edit extensively because I just let my unconscious brain take over? Yes. Would plotting have sped up the writing process on all of these projects? Also, yes. Like so many things, the practice is in the doing. In my life, that’s how it works. And I think it is working. It’s been a few years, more than I wanted, to get all these ideas to pages and in your hands, but things happen in their time. I hope you’re half as excited about all these new books as I am!

Happy Reading!

CMM

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Dune

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Book Review

Book 1 of the Dune Saga

by Frank Herbert

Science Fiction/Space Opera

5 stars

Post 2 in my Favorite Books series

Dune is often described as having weak character development, and since characters are what make people love books, I know a lot of people who never even get through twenty percent of this epic classic. I can’t even argue. When I recommend Dune to someone, and they tell me weeks later they just couldn’t get into it, I just shrug and say I understand. It’s a lot. It’s dense. There are a lot of characters adding their opinion to a convoluted story that takes it time.

I never had a problem getting into Paul’s head. He’s one of my favorite characters of all time, next to John Conner and Anakin Skywalker. Not necessarily because of their actions on page and screen but because of how much we can discuss the possible inner workings of their thoughts and actions. We can dive deep into the psychology of the human mind using these three as a focus. To know the future, as Paul and John do, to see the necessity of horrific circumstances because the alternatives are worse and have to decide on that path…I’m not sure I would ever get out of bed. Sure, this pair isn’t exactly parallel, but I feel their trauma is very similar.

Throw in a unique, complex, logical system of politicking with family vendetta and rich history, and I’m hooked. I especially love the pointed use of religion and education to lead persons into specific roles, namely, seen through Jessica’s education of Paul. Her Bene Gessirit roots show us the power of this all-female group I still find fascinating. Their behind-the-scenes work makes them more powerful than the petty lords of government. It is this that makes me sad when I hear contemporary readers speak of how patriarchal the book is. Besides that it was written in the 60s (so yes, but…), nuances here speak to a richer world that goes beyond a capitalistic engineered scale of equality. Not to mention, if speaking on the book as a parallel to current culture, we might think of how the figures behind the curtain pulling the strings of public figures are of more import than the faces we see. I would much rather be the powerful rather than play at power given to me through the sufferance of others. Based on this argument, who’s really the most powerful group in Dune’s Empire?

Dune is not my most re-read book, but it is up there. With every read, I pick up something I missed or took in a different way than last time. It is this, I think, more than anything else, that makes Dune a book that will forever remain at the top of my favorites list.

Share your favorite books with me in the comments!

Read the first post in this series here.

Happy Reading!

CMM

Empire of Silence

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Book Review

Book 1 of The Sun Eater Series

By Christopher Ruocchio

Science Fiction/Space Opera

5 Stars

Post one in my Favorite Books Series

Hadrian Marlowe, a man revered as a hero and despised as a murderer, chronicles his tale in the galaxy-spanning debut of the Sun Eater series, merging the best of space opera and epic fantasy.

It was not his war.

The galaxy remembers him as a hero: the man who burned every last alien Cielcin from the sky. They remember him as a monster: the devil who destroyed a sun, casually annihilating four billion human lives—even the Emperor himself—against Imperial orders.

But Hadrian was not a hero. He was not a monster. He was not even a soldier.

On the wrong planet, at the right time, for the best reasons, Hadrian Marlowe starts down a path that can only end in fire. He flees his father and a future as a torturer only to be left stranded on a strange, backwater world.

Forced to fight as a gladiator and navigate the intrigues of a foreign planetary court, Hadrian must fight a war he did not start, for an Empire he does not love, against an enemy he will never understand.

We all know by now that Dune is my most favorite book–still, after all these years and after reading so many other almost-as-good stories. When Empire of Silence crossed my path, I didn’t know how serendipitous it was until I sat down to listen. I thank the library app for its intuitiveness in offering this as a book I might like. Nailed it!

There are serious Dune vibes in Ruoccio’s Empire. Many call it derivative, but I thought it the perfect blend of a brilliant world mixed with its own elements to create its own thing. Calling Ruocchio’s work derivative, I think, is like calling anything with elves derivative of Lord of the Rings. Mixed with the prose of The Name of the Wind (another favorite of mine), with future-god vibes like Hyperion (a book I didn’t read until others compared this to that and loved), it is the greatest parts of so many great things. There was no other path than for Empire of Silence to become a new favorite of mine, rivaling the long top-ranked Dune (don’t go check my list. I have to update it *shhh* Just trust me).

Ruocchio creates (borrows and blends) a well-wrapped political system and stringently controlled machine and computer use over a multi-thousand-world landscape that sets the perfect stage for this opera. With Hadrien, an idealistic dreamer set against the backdrop of war and a no-nonsense father, there can only be hardships for him. His melodramatic flair, something I don’t typically appreciate, makes for the perfect center of this tale. First, in rebellion, next, in pushing his nose where it doesn’t belong, sets him on a path not even he can anticipate. It makes me wonder just where the line is between forcing one’s personal will on the world versus toeing the line because that’s what makes successful civilizations function. I feel like we all like to think we need to assert control over what happens to us, but is it our place most of the time? Is that assertion merely an oppression of someone else’s will and/or a combative stance against systems created to allow communities to sustain? I can’t answer this. I don’t even want to, but for Hadrien, I feel like this is the theme of his life. He happens to be correct much of the time, but I wonder, in the following books, if this hubris doesn’t finally catch up to him. If the first page is anything to judge this by, it definitely does.

Recently, I re-read the book and was caught by the perfect sculpting of sentences; each word formed perfectly with those surrounding it to create this story. Great prose is not mutually exclusive with great stories, but in Empire of Silence, it brings an extraordinary tale to another level. The quotables that come from the pages can fill a journal (I have an extensive notes category on my phone dedicated to quotes from this book. I’m on my fourth re-read in 2 years). Gibson should get his own book on philosophy, though I understand he is simply spouting wisdom from figures long past.

Gibson brings up another point about why I adore this book. It makes you think. It speaks of deep social and psychological issues always relevant to individuals and societies. Some passages will make me pause and consider. Certain characters juxtaposing the other will allow a look into multiple perspectives on social commentary not always allowed in our typically defensive natures.

Read the next post in this series here.

Happy Reading 🙂

CMM

Reflections on Reviewing Novels

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Buried within this reflection on my reviewing practice is a review for the novella: The Curse of the Owl by Qatarina Wanders.

There’s this in-between where I often struggle with reviews. It’s important to me to maintain a steady level of integrity. I’ve lost a few fellow indie authors’ support by offering 3 stars instead of the 4-5 stars they seek. I think there’s some kind of unspoken agreement about that, but I just can’t abide it. Especially when giving 3 stars is already a reach. I want you to come here, see what I had to say about a book, decide to read it based on that saying, and trust I was honest. If you go into a book and find I over or under-stated, you won’t come back and see what I had to say.

I don’t know if readers don’t consider books rated under 4 stars. I will. Three stars to me means: good book, worth it. 4 stars is great, and 5 is couldn’t put it down, stuck in my head, changed my life kind of story. Sometimes I’m a little looser with the last, but all of this means 3 stars is still a good book. All that said, I understand that’s not a view everyone holds, so sometimes I go 4 if I’m hovering at 3+.

This is something that happened with my recent read. The Curse of the Owl starts with pages of info dumping. Paragraphs of explanation between single lines of dialogue. I recognize it because it’s a thing I’ve just learned not to do (in that, I have done it, and now recognize to not do it). It’s also a point I find with many indie authors doing it on their own (of which I am one. I don’t have the budget for legit editors, so I make do with reader feedback and numerous go-overs). My point: indie books are often published sans the final few edits. This doesn’t make them bad books. It definitely does not mean the stories aren’t good. It just means the ratings are always there, which doesn’t mean they’re not worth reading.

For The Curse of the Owl, I left this review:

This fast read is fun and interesting, with a unique take on the supernatural world I am curious to learn more about. With a pair of kick-butt protagonists, I found the stakes real and relatable. There is definitely enough here to turn into a full-length novel. While I found the front 40% a great heap of info dumping, the action sequences through the back half were exciting and page-turning. This novella seems a great set-up for the main series I have added to my TBR.

I understated and over-stated, just a little, all the things I said I wouldn’t to maintain a level of integrity. If I wasn’t reviewing this for a service, I would have put it down in the first few pages. That thought alone should warrant this short book unworthy of 4 stars, yet that is what I gave it. The ending did pick up. It was exciting. There were multiple cool action sequences. It’s a prequel to a series about the daughter and niece of the characters told here. Like so many indie books, I wasn’t satisfied. I wanted more. I wanted everything to get developed and told, not just washed over.

Happy Reading 🙂

CMM

Review: Babel, by R.F. Kuang

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Speculative Fiction, YA Fantasy

3 Stars

What a unique book this was in so many ways. I’ve never given more than 1 star to a book I didn’t, technically, finish. Honestly–probably–if the library hadn’t been about to take it back, I would have read it more leisurely and maybe not have been so bogged down in the following points.

Here’s what happened:

There is so much nerdy goodness in this book I absolutely love. Unfortunately, it was dispersed amongst the “real” story I found distracting from this talk of entomology and its uses and function within the magic system. Then, as I got into the real account, I’d be bumped back into the scholarly. While I liked both aspects of this book, I didn’t like them together. I was bored. Looking back at the first 30-40% at the halfway mark had me wondering why we needed so much to get us to this point. I wished for a story about the evolution of the word pairings only, or on the other side, a drama about Oxford students amidst colonial and social strife. Both aspects of the book were equally extraordinary. I can’t say that I’ve read a book that so nuanced the multifaceted psychology of those of underprivilege and those with. Each of Kuang’s characters perfectly highlighted an aspect those of us who can’t know too easily skip when contemplating the nature of existence from another’s perspective. And yet…

Like The Secret History, we follow a group of “friends” thrown together by their shared collegiate aspirations. At least in Babel, we’re given a clear picture of events, how they transpire, and why. Using the third person versus the single first-person telling of the former helps to provide us with more depth and breadth, which I appreciated much more than Tartt’s novel of similaresque theme. Yet, I enjoyed History more, which really has to do with my previous point of this meshing of too many things.

At about 65%, I skipped to the end and read the epilogue. This was enough to satisfy me, so I felt I could say I read this book. Despite my (basically) DNFing this book, I can’t give it less than three stars. There really was so much good. I think I was just too impatient to settle in with it all.

Has anyone had a similar experience with this book or any other? I’d love to hear about it.

Happy Reading! 🙂

CMM